Today is the day! Georgia O’Keeffe’s exhibition is open at the Fondation Beyeler, and her sexual flowers are already making history.
An abstract canvas drenched in sunset hues, colours radiating like flames. These are just some of the imagery I got when looking at the work of Georgia O’Keeffe.
But if you look closer, it reveals the tender stems and velvety texture is simply a metamorphosis of natural subjects into abstract geometry—a commonplace in the work of the painting.
Georgia O’Keeffe was an American artist referred to as the Mother of American modernism. She is best known for her large paintings of flowers, skyscrapers, and New Mexico’s landscapes.
Born on a dairy farm in Wisconsin, her family encouraged her to take art lessons. Her local farm surroundings fueled her inspiration for flowers and nature. This love of the natural world would be reflected in her art throughout her life as a young woman.
Feeling disconnected from creating art within classical conventions, artist Georgia O’Keeffe began experimenting with abstract drawings that defied easy classification.
“For decades, critics assumed that O’Keeffe’s flowers portrayed allusions—to the female anatomy,” says Mental Floss.
Please don’t lie; you saw it at first glance too. If you didn’t, I apologise for putting that image in your mind. I bet you cannot unsee it now.
But according to Mental Floss, in 1943, she insisted that they had it all wrong. In an interview, she says: “well—I made you take time to look at what I saw, and when you took time to notice my flowers, you hung all your associations with flowers on my flower, and you write about my flower as if I think and see what you think and see of the flower—and I don’t.”
After moving to New York, she increasingly became drawn to the clean lines, vivid colours and striking composition of Japanese art. Since then, American modernism has aimed to challenge realists’ that dominated art education of the time.
This moment marked the beginning of Georgia O’Keeffe’s career as a famous artist.